![]() And that will likely calm down on future releases. Look, there’s something for everyone here. Guests galore too – Snarky’s Bobby Sparks cuts in hard on Pace Maker, Kamasi Washington is there to blow across No More Silence and trumpeter Justin Stanton (yet another Snarky alum) funks up the Prince- esque Shrill Tones. There’s some broken-beat instrumental hip-hop (Nod To Dilla ) and reminders of when this type of music – the jazzy hip-hop feels – was not cool at all (the title track takes me back to Branford Marsalis’ Buckshot LeFonque project) but all of it works. Sure, there’s a political element to Swagism’s concept, to the narrative – but you’d wish, more often, you could just concentrate on the groove as it flows ( Bawllz ) or chill back in the worlds previously explored by the likes of Ronny Jordan (Funk You Muthafunka ). There is more than one band by the name of Ghostnote: 1) Tag for japanese band: Ghostnote is a Japanese band Formed in 2003 in Okayama, Japan.The band has 3 members : Drum&Chorus Vocal&Guitar Bass&Chorus They have 3 singles so far, the new & 3rd single is the 11th Ending theme for the anime Gintama. back drum shop home maintenance, repair & modification cymbals drum heads drum sets brushes & bundles drum sticks mallets merchandise & gift cards back music school lesson. As with the skits on hip-hop albums, these are the parts you wish were excised. the (ghost) note drum shop music school online music education resources contact events follow. One annoying component of this album is the attempt to make it a ‘concept’ by including recording-studio banter and spoken-word pieces. ![]() Heres the band, with MonoNeon on bass, performing Swagism. And – beyond that – if you dress up jazz in cool clothes, make it appealing to indie-rock concert-goers, you can really have two swipes at the cherry. This one premiered yesterday, with the band performing a live acoustic set for Sugarshack Sessions. Players like Chris Dave and Thundercat and figureheads from Kamasi to D’Angelo have shown that you can be technical and “punk” all at once. Yet again.īut the time is right for this. You know, the ones that laid the foundations for hip-hop.įormed by the percussionists from Snarky Puppy, Ghost-Note is jam-band music-school nerd-stuff. We had all been playing with him regularly at his BlueWhale residency and I feel this recording represents the high level of trust and flow we built as a band during those gigs. If Kamasi Washington is exploring the Albert Ayler/Coltrane connections in a modern landscape then Ghost-Note is doing something similar with templates created by Quincy Jones and Herbie Hancock…which is to say on Swagism they hint at the late-80s/early-90s hip-hop influenced and inflected funk and R’n’B jams of those masters whilst also adhering to the types of grooves Hancock and Jones made far earlier in their careers. Quotes from the band: This album represents the years of knowledge Dave bestowed onto us within a surprisingly short period of time.
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